Somehow I made it this far in life without seeing “The Sound of Music” the whole way through. My own mother saw it in a Detroit theater in 1965, so I’m not sure how I missed getting it burned into my brain at a young age. But I parked myself in an antique movie theater seat for three hours recently to watch this beloved musical, and it was a spiritual journey complete with nuns. As usual, I had a lot of questions, especially: why did Julie Andrews not win all the Oscars for this? The Dame almost got blown right off a mountain by a helicopter while singing her heart out, and the Academy just didn’t care. Other than that oversight, here are some other impressions upon seeing this movie for the first time.
1. Nuns won’t hesitate to roast you down into hell
It has come to my attention that movie nuns get the sickest burns. They may already be married to the son of God, but they are also endowed with the incalculable power of Ya Burnt. Maria is a problem that just can’t be solved, and they let us know. While discussing her incorrigibility, Reverend Mother responds to the search for the wayward nun with a curt “Sister, considering it’s Maria, I suggest you look in someplace unusual.” They had also likened her to a cow in an earlier burn. Then the nuns conclude a litany of her faults with a simple “Maria’s not an asset to the abbey.” My face melted off. These Jesus brides are singing a nice little song but it’s going to take a while for me to recover from their barbs. Nuns can see right through your shenanigans and don’t you forget it.
Also, at the end of the movie, they stealthily steal car parts from Nazis so they can’t chase the Von Trapps, so they win at history, too. (“Reverend Mother, I have sinned.”)
Bonus: Marni Nixon gets her only film appearance here in the flesh as Sister Sophia. (She had done voice work for Audrey Hepburn (“My Fair Lady”), Debra Kerr (“The King and I”), and Natalie Wood (“West Side Story”), among others.) It does make me sad that she has to appear in a nun costume, her visage partly obscured. Force of habit, I guess.
2. 1938 Austria was a fashion paradise
I’m pretty sure the historical accuracy of this is questionable, but apparently everyone in pre-WWII Austria had some fabulous frocks. Even their drapes could be used for fashion purposes. The dresses in this movie are just so good (thank you, Dorothy Jeakins). Let’s start with Maria’s novice dress – nothing too special, but it had big pockets and the skirt was roomy enough for frolicking in the mountains as an escape from external restrictions so I stan it as a feminist fashion moment. Defy the patriarchy with your clothes and then take over the system, I say. Then there are the nuns’ habits, which do count – one must be practical but fabulous for Jesus.
Liesl’s pink dress – let’s forget about her falling in love with a Nazi for a second to appreciate this confection. It fits her character so well. Seems a little risque for a sixteen-year-old in the 1930s but again, we are not going to talk about what the late 1930s in Austria was really like.
Curtain clothing – just the fact that Maria took a page from Scarlett O’Hara’s book and used drapes to make a defiant sartorial statement is enough. I do wonder how she managed to make seven outfits for different-sized children seemingly overnight – is the abbey a secret sweatshop?
Maria’s I am the Captain Now dress – also appears like former upholstery but she gets to drape herself all over Christopher Plummer while wearing it, so it fits the scene.
The Baroness’s Satan dress – I know everyone hates her but she rises to the occasion and dresses like the villain she is, complete with cigarette holder. This red sparkly vision showcases her dishy devilry. I choose to believe her hairstyle was meant to mimic devil horns.
Maria’s I’m Your Mom Now suit – Julie Andrews somehow makes mustard yellow and bell sleeves look chic. She’s married to a man who drives boats so she has to look the part.
Maria’s wedding dress – I like to think the nuns made this for her because it is divine. It’s got a mock turtle/V-neck going on and seems like an homage to Grace Kelly’s own wedding dress from 1956. The veil whispers over the train and everyone faints. It’s a fairy tale in God’s house. Which reminds me: why do the nuns have to stay behind the cathedral grate? Are they prone to rage in the cage? Are they afraid to accidentally get shadow married to the Captain? Additionally, did the Austrian pope marry them? Did no one tell him the Papal Schism ended in 1417?
3. Christopher Plummer’s hair is a supporting character
The Captain spends a lot of time in Vienna, ostensibly on official business doing boat stuff and unofficial business romancing the Baroness (boo). I think there’s more to the story, because those caramel highlights didn’t come from nowhere. The Captain is straight out the salon with one of the best haircuts 1938 could buy. I don’t think he could have put in this performance without it, as he and his coiffure do some top-rate cinematic giggling and winking. (I’m also a bit confused about his role in the Austro-Hungarian Navy but I’ll let that slide.)
4. The famous “Lonely Goatherd” puppets are amazing but terrifying
I’m sure these puppets took many hours to make and follow some sort of storied Austrian tradition, but they will haunt my dreams forevermore. There is lipstick on these goats. The mountain men are carrying pick axes and seem kind of murder-y. Two balding dudes at a table elongate their necks like a premonition of “Exorcist” nightmares to come. The lonely goatherd song is delightful and I can’t get enough of the yodeling, but this scene scares me more than nun burns. Also, how did Maria teach seven children from ages 5 to 16 perfect, intricate puppetry? Did any of them suffer from night terrors as a result of interacting with these beautifully made, scary-as-hell marionettes?
5. How did no one die from being blown off an Alp by a helicopter?
I’m not a pilot but I have seen “Mission: Impossible – Fallout” more than once and those helicopters generate a lot of wind. Picture yourself climbing up a mountain with one of those machines flying alongside you – how do you stay upright? How did Julie Andrews not perish from the earth because the blades were whipping wind at her so hard? And then when the Family Von Trapp (spoiler alert) escapes the Nazis over the mountains at the end, one would think a whole line of children would be like helicopter bowling. Yet another reason Dame Andrews should have gotten her Oscar for this movie. She put herself in grave danger and didn’t get the gold. She would go on to win for “Mary Poppins,” and thanked America and Walt Disney in her speech. Dame went high. No helicopter can blow her off the lofty perch she sits on.